Feast Blog

Six weeks ago, I got a text message from Lisa stating simply, “Just found us a new restaurant!!!!!!” That means a lot because both Lisa and I have become bored dining around San Francisco. She was excited at having found an establishment that is like those she discovered while traveling around Japan; authentic, intimate, and unlike anything else we have here in the Bay Area. There is a sign in the front window that warns the philistines: No Sushi. No Combination Plates. This is not your standard, Westernized Japanese restaurant. With an expansive ten-page menu, this is a restaurant based on the concept of lots of small plates. Not like an izakaya with a bar setting, the dark wood room is effectively serviced by attentive waiters and waitresses who are quick to offer suggestions.

The reason behind the lengthy menu is its layout; each ingredient with the descriptions of how that ingredient is prepared. For example, Gindara (black cod) has eight preparations: sakamushi (steamed with sake), oroshi-ni (simmered with grated daikon), teriyaki, yuan-grilled (soy sauce and sake marinade), sakekasu-grilled (sake less marinade), butter grilled, and panko-fried. With ingredients like eel, pork, duck, beef, chicken, shrimp, eggplant, tofu, krab, flounder, etc., it is easy to see why the menu is so extensive. And that does not include the fact that there is also shabu-shabu and sukiyaki offerings (with Wagyu beef for $80!). That’s okay, we’ll be back for those because there is so much to try…

With the help of our waitress, we managed to pick a selection of tastes, starting with a special that evening, toro sashimi served with fresh wasabi. More than just exceptional fish, the plating and offering was a cut above with shredded daikon and an interesting micro green served alongside the wasabi. Some of the best, melt-in-the-mouth tuna I have tasted. Being an uni fanatic, the preparation that Lisa wanted was served in a bowl with crab, an agar sheet, shredded vegetables, sliced chestnuts, and more than we could determine. It was clean and engaging with more gelatinous goo added for texture.

Another texturally-challenging dish (for those who have problems with gooey things — which Lisa and I don’t), was Mekabu-Su, vinegared sticky wakame (seaweed) topped with a raw quail egg. Served in a small, celadon green lotus bowl, here was a mouthful of viscous goodness. A dish we probably would not have considered had our waitress not been so passionate about suggesting was the butter-grilled scallops; four large, tender scallops in nothing other than simple brown butter. But the preparation was enhanced by its offering on top of a selection of grilled vegetables; sprouts and greens which were a delightful juxtaposition to the intensely rich scallops.

Another surprise was an offering of grilled oysters with egg yolk. It was actually a fresh grilled oyster encased in an omelet-like preparation, topped with toasted pine nuts and a sliced, crisp lotus root. We had debated ordering the chawan-mushi and was glad we didn’t; this was more than enough rich egg flavor which was definitely enhanced by the pine nuts. Best of all, they were very careful to not lose any of the oyster liquor in the preparation.

We finished our meal with their preparation of Japanese sweets, wagashi, three small offerings of delight; two red-bean based. The square wagashi was topped with lightly toasted rice bits and stuffed with a chestnut. The round, azuki-based wagashi was topped with a square of gold leaf and stronger than the square version. The last, round delight was an anmitsu, a chilled gelatin with fruit; large, golden raisins, orange peel, and a surprisingly different hint of celery which provided that surprise flavor.

Much of the joy of this type of dining is a sensation that many Westerners seem to miss: TEXTURE. There are complaints about some dishes not having enough TASTE when the cultural bias in Japanese food is often about the feel versus a strong flavor. That is not to say that there is no flavor to the courses, but that many times the dish is not about presenting a strong component of tastes, but a strong component of texture. And if you are willing to experiment and enjoy all that is offered, I can guarantee a stupendous experience. Personally, with a menu as expansive as Kappou Gomi is offering, I am anxious to go back and work my way through all of it.

Just came from the soft opening of Nombe…

I started with a pretty amazing offering of Brussels Sprouts served with mint and yuzu. I don’t miss the fact that SPQR isn’t serving Brussels Sprouts any more. These were incredibly fresh and the combination of mint and citrus awakens the palate and is comforting at the same time. I also ordered the sashimi sampler and couldn’t be happier; toro, sake, hamachi, and another.

Being adventurous, I of course ordered the “challenging” dishes; chicken hearts yakitori, beef heart served with onion and bonito flakes. The chicken hearts were perfectly grilled and so tender — which can frequently be ruined with over-grilling. The beef heart was served in chunks; rare and rich.

As I was finishing, because this was the soft opening, the kitchen sent out a few tastes for those of us sitting at the counter to taste; grilled black cod and the pork belly. The grilled black cod was intensely rich and complex with the pork belly providing that unctuous, fatty decadence.

Yes, it was a soft opening. The opening night is not for a few evenings but based on an early test, this will be a consistent favorite for me. Sozai was hard for me to get to and I will desperately miss Chef Nick at O Izakaya, but getting the best of both worlds is a stroke of brilliance. Bravo!

Fortune has taken me to Los Angeles a few times this year and undoubtedly one of the best trips has been to stay with jeweler friend Rose. Being compatriots in a great love of sushi, she and her boyfriend, Andrew, insisted on sharing her personal favorite, Sushi Gen at 422 East Second Street in downtown. I think Rose has a personal “in” with head-chef Masa, but I’m not complaining. We had to wait a long time to get in and apparently that is not unusual for the following this place has. We waited a good 45 minutes for the coveted seats in front of Masa’s station and it was well worth it.

We started with a bottle of Kubota Senjyu which worked well for the entire evening’s offerings. To sort of “cleanse our palate,” our first offering was halibut sashimi in ponzu, with just a touch of yuzu and the fresh green onions, this awakened our mouths with an immediate demonstration of a respect for the fish and how it is best showcased. Not wanting to get too full on rice, I requested more sashimi than nigiri and fatty tuna was the next presentation; so rich and satisfying. There were presentations of both Japanese and Spanish mackeral (I think I liked the Spanish a bit better), sweet shrimp with fried heads (yeah!), and red snapper.

Rose knows of my willingness to try anything new or different and we asked Mas for the most unusual ingredient of the evening. In this, Sea Cucumber to which his sous chef (sorry, didn’t get his name) gave us a little dance on what sea cucumbers look like in the water. I’m just thankful I got pictures documenting that hilarious demonstration! The salmon had perfect marbling and the dressing on the albacore was just enticing enough to bring out its delicacy. Another juxtaposition which was offered was the Ankimo; Rose likes it with miso while Andrew prefers it with ponzu. I got to taste both and I’m still not sure which is my favorite, both worked so very well and it was thrilling to have great ankimo as lately, so much of the livers I’ve been eating have been grainy and not fresh.

We should have been full, but we couldn’t stop ourselves, continuing with some shared nigiri; scallops, unagi, squid with uni, and yellowtail. Rose and I also shared some oysters and then we culminated on a roll that Masa makes for Rose specially: a toro maki that is topped with more chopped toro and green onion. That was about my breaking point – we were too full for words and quite ecstatic. I don’t get this quality of sushi in San Francisco, that I have been able to find. The freshness of fish and its presentation was very reminiscent of Urasawa at a fraction of the price. So glad to have a new destination restaurant in Los Angeles and great friends to share it with!

I have often lamented the lack of a true yakitori here in San Francisco. And truth be told, we only have two izakaya in the city; O Izakaya which is close to me in Japantown and Sozai, in the Inner Richmond. It took me a long time to get to Sozai because of its location. I’m sorry it took me so long to get there and I genuinely wish it were closer, despite some minor shortcomings which I’ll touch upon later.

But first, the sake. We each ordered a sampler, giving us six different tastes; Yuki no Bosha, Dassai Nigori, Tama no Hikari Yamahai, Take no Tsuyu, Urakasumi, and Tengumai. They were all distinct and enticing, but the Yuki no Bosha was the smoothest and easiest one to get in trouble with. In ordering a lot of food, we were grateful that the owner guided us through the menu on what to order.

We started with an assorted Sashimi platter as we were there the only night they serve sushi. The pieces were not cut perfectly, but the fish was fresh and good. Next came oysters and we loved the presentation; a bit of tobiko and a side of ponzu granita. This was delightfully innovative for the oysters, which were of great quality. A whole sample of yakitori came next; chicken gizzards, hearts, livers, thigh (negi-ma), and meatballs (tsukune). Not quite the quality of Shin Sen Gumi (my favorite in the state), but very respectable.

Our next offering was a slow cooked pork belly shichimi which was out of this world. So tender and rich and very, very satisfying. Lisa always has to try whatever uni is on the menu, so a single nigiri order arrived. Ankimo was next in the offering and I’m sorry to say this was not of great quality. It seemed a bit on the grainy side for my tastes. Some vegetables were recommended and the grilled Japanese eggplant were a pleasant surprise. Grilled to give a sugary, candied exterior, it did not hide the succulent eggplant creaminess inside.

Seeing how much we were enjoying the evening, the owner sent out a treat, the name of which I know not; squid brains in fermented squid gut sauce. The squid was tender enough, but the sauce was a bit too overpowering for me.

We finished up with dessert; a sweet-ish unfiltered sake (came in a frosty, pin, bottle) paired well with chocolate ginger cake and green tea tiramisu. Now I was reluctant on the tiramisu; making it with a green tea flavor seemed rather contrived but both Lisa and I were pleasantly surprised. It was not as kitschy as I thought it would be. The chocolate ginger cake, on the other hand, was superb; decadent hint of ginger in the redolent rich chocolate. Not too dry, not too sweet, and although garnished with a berry sauce, would have been better with simple whipped cream.

On the very minor downside to the restaurant, it is far from elegant. The tables are close together and the bizarre selection of 60s music in the background can occasionally glare a bit loud. But I don’t need elegant or appointed to enjoy good food and the service was exemplary. And the good news is that just a day or so before, Eater announced that the Sozai owners and the chef from O Izakaya are going to get together for a third venue in the Mission. Hoorah!

Shame on me for not writing this up sooner. My birthday present to myself this year was a trip to Los Angeles to see old friends and to finally dine at the mythic Urasawa. There was as much anticipation in approaching this meal as there was in going to the French Laundry for the first time; so much has been written about it and its masterful chef, that one can almost anticipate disappointment. I mean, how special and remarkable can ultra-expensive hunks of raw fish be after all? Suffice to say, that nary a meal in my past can surpass what I experienced at the hands of Hiro Urasawa. Yep, its true. It is the best meal I have ever eaten in my entire life, bar none. No mis-steps, every taste a revelation, every offering better than the last.

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